Nov 2, 2015

Post your dream / best case scenario for the future of Eminem and Shady records. Here's mine:

The new D12 Mixtape makes Em realise how much his band has slipped since 2001. He gets back in the studio with them, they all do some funny immature s---, and come out with D12's final LP - almost on par with the original Devil's Night, as far are Beats, skits, Lyricism and Eminem Involvement are concerned. My salsa bonus track.

Being in the studio with the g--- gets Eminem on his smooth MMLP flow again. He begins his next solo album, one of the songs being a posse track of D12, Obie, 50 cent and a couple more of the old Shady Records crew. This is the final time D12 make music, going out with a b--- and and unreleased Proof verse.

Em's album involves a heavy amount of Dre & DJ Premier production, "b---- Please III", and a GOAT Nas feature. Also, Eminem and Kendrick get back in the booth and record a dark, back-and-forth lyrical masterpiece. (With an unreleased Nate Dogg hook.) Two bonus tracks: "Never Gave a f---", and a farewell from Ken Kaniff skit.

Sometime before Em's album is released; GlassHouse drops. It's not poppy, and it's not overly rapid-fire. It's perfect - featuring a Black Hippy Collab, Yelawolf, Prhyme, Tech N9ne and a Medicine Man-like verse from Eminem. It also has a song with a catchy beat, and sample-based hook but concise, raw verses. This track gets a lot of radio play, and Slaughterhouse gain mass media exposure.

Yelawolf drops "Trial by Fire" and it's a good mix of Arena Rap and Love Story. He continues to do his thing, but gets media attention from the lead single with a (decent) duo hook with Skylar Grey [or any poppy female IDC], and an Eminem feature.

Also throw in a final Bad Meets Evil EP in there somewhere. Features from Dre, DJ Priemier, the Game, and Black Hippy.

...

Shady records signs a couple young and relevant upcoming artists; modernizing their image.

...

Years later, Eminem stars in a new movie. Obviously it doesn't top 8 Mile; but it's still dope. Similarly to Dre's "Compton", he drops a short project with practically no forewarning. 6 tracks - all hard hitting, reminiscent of The Eminem Show beats and wordplay. All of Shady Records is featured, a 50 cent collab, and a Detroit anthem. Bonus track: "Back in the Day (feat. Dr. Dre)".


Fin.

 

Nov 3, 2015

I made a King Mathers LP/Mixtape a few weeks ago with his best work post hiatus and the album ended with Never Gave a f---(Medicine Man verse with a different beat).

Never gave a f--- should be the title of his final song IMO. Best Ending Ever